Theme Of The Sirens In O Brother Where Art Thou Video
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Josh Brolin was not the Coens' first choice, and enlisted the help of Quentin Tarantino and Robert Rodriguez to make an audition reel. His agent eventually secured a meeting with the Coens and he was given the part. English actor Mark Strong was put on standby to take over, but the scheduling issues were resolved and Bardem took on the role.
Joel Coen said that the book's unconventional approach "was familiar, congenial to us; we're naturally attracted to subverting genre. We liked the fact that the bad guys never really meet the good Broother, that McCarthy did not follow through on formula expectations. On their writing process, Ethan said, "One of us types into the computer while the other more info the spine of the book open flat.
As explained by Kelly Macdonald, "the ending of the book is different. She reacts more in the way I react. She kind of falls apart. In the film she's been through so much and she can't lose any more.
It's just she's got this quiet acceptance of it. Richard Corliss of Time stated that "the Coen brothers have adapted literary works before. But No Country for Old Men is their first film taken, pretty straightforwardly, from a [contemporary] prime American novel.
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Josh Brolin discussed his initial nervousness with having so little dialogue to work with: I mean it was a fear, for sure, Wherd dialogue, that's what you kind of rest upon as an actor, you know? Drama and all the stuff is all dialogue motivated. You have to figure out different ways to convey ideas. You don't want to overcompensate because the fear is that you're going to be boring if nothing's going on.
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You start doing this and this and taking off your hat and putting it on again or some bullshit that doesn't need to be there. So yeah, I was a little afraid of that in the beginning. Good and evil are tackled with a rigorous fix on the complexity involved. Because you only saw this person in this movie making things and doing things in order to survive and to make this journey, and the fact that you were thrown back on that, as opposed to any dialogue, was interesting to us.
He further explained why they chose the novel: "Why not start with Cormac?
o brother, where art thou symbolism
Why not start with the best? He believed that the author liked the film, while his brother Ethan said, "he didn't yell at us. The young In one another's arms, birds in the trees — Those dying generations — at their song, The salmon-falls, the mackerel-crowded seas, Fish, flesh, or fowl, commend all summer long Whatever is begotten, born, and dies.
Caught in that sensual music all neglect Monuments of unageing intellect Richard Gillmore relates the Yeats poem to the Coens' film.]
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